Plus points of the film are thrilling elements, cast and screenplay. Though it’s a thriller, there is entertainment laced in it. The interval episode reveals the conflict point of the film and entire second half plays on it. There is not much happening in the first half. Majority of the film is shot in a farmhouse. Dialogues by Maruthi are good though you find a trace of double entendre in selected dialogues.
Cinematography by the director Prabhakar Reddy is nice. The most hilarious one is ‘golimaar’ song bit used on Saptagiri. A few old songs have been used in the background music. The film gets interesting only in the interval. There is no connect in the first half of the film. However, the reasons for Sudheer attempting to suicide don't look convincing. What happens when hero touches heroine? The debutant director has opened this conflict point during interval and used effectively in the second half. Story - screenplay - direction: The entire story of this film is built on a single premise. Screenplay provided by Maruthi is good in second half.
Saptagiri who has entertained with Nellore accent in a cameo of Kandireega gets a full length role and he entertains again. Praveen generates good comedy with his dialogue delivery and comic timing. Nandita has got big eyes and her eyes are effectively used in second half to thrill the audiences. It’s a different film for Sudheer who made his debut with a romantic comedy SMS. The rest of the story is all about how they manage to get-out of that haunted farmhouse in one piece.Īctors: It’s a mature role of Sudheer in this film and he does his job convincingly. The rest of the story is all about what happens when Sudheer tries to touch Nandini. Sudheer’s friend encourages him to be physically intimate with her. In the process, Sudheer falls in love with Nanditha who secretly admires him. A group of four (Sudheer, Nanditha, Praveen and Saptagiri) go to a remote farmthouse to commit a mass suicide.